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This study examines the humor of Amu Mal Daejanchi , a segment from KBS’s Gag Concert , through Incongruity-Resolution Theory and Relevance Theory. The analysis identifies five characteristics that define this high-density comedy format: the normalization of non- contextuality as a rule, minimal processing effort via strong non-verbal setups, shared cognitive rules between performers and audiences, contextual effects through the interplay of old and new information, and pattern-based incongruity that balances repetition with variation. This study demonstrates how traditional humor principles are implemented in extreme and novel forms in short-form comedy, aligning with cognitive processing patterns favored in the compressed media era.
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- Publisher :The Modern Linguistic Society of Korea
- Publisher(Ko) :한국현대언어학회
- Journal Title :The Journal of Studies in Language
- Journal Title(Ko) :언어연구
- Volume : 41
- No :3
- Pages :309-325
- DOI :https://doi.org/10.18627/jslg.41.3.202511.309


The Journal of Studies in Language





